Genius and Maestro are among the many accolades David Helfgott has received for his performances around the globe. Quite simply, Helfgott at the piano is an experience like no other.
For those who have forgotten or are too young to remember, David Helfgott was the Australian pianist catapulted to fame by the 1996 film Shine, in which Geoffrey Rush memorably incarnated the tangled story of his life.

Today, Helfgott remains a major international force on the concert stage where his virtuoso performances continue to impress his legion of admirers around the world. This special one-off concert features solo works and Helfgott' s signature concerto Rach 3 accompanied by Hoang Pham on second piano. Helfgott loves sharing his music and is so delighted to be performing the duo Rachmaninov 3rd Piano Concerto with with Hoang again, with such great memories of their performances in Istanbul.

Presented by Hoang Pham Productions

Booking Information
Saturday 15 February 2020 2pm

Elisabeth Murdoch Hall
Duration: 1 hour 15 mins (no interval)

Standard $68 ($61.20 Concession)
Student $51

Group 4+ $40
Book 4 or more tickets to Hoang Pham in Concert and David Helfgott in Concert and save 40%. Groups pricing eligible across both concerts. Please call the Box Office on (03) 9699 3333 to reserve group tickets.

A Transaction Fee between $3.50 and $8.50 applies to orders made online and by phone. Delivery Fees may also apply.

Do you have a promo code?
Click Book Tickets below to enter your promo code on the following page.

Did you know?
Melbourne Recital Centre Members enjoy waived transaction fees and save 10% on tickets to selected concerts? Click here for more information.

COASTBEAT - David still shining | May 2019

Here is the link to the above article - and her perception of David is very insightful.


I have questioned myself for months as to whether I should write to you. Today I realised I should.

On the 21st of July this year I was sitting in the Perth Qantas Lounge. I was feeling a little anxious as I was leaving Perth to begin a new adventure. I was off to live in Uruguay and had a new job to get to. I was leaving my family behind for 2 months whilst I get everything set up and then return to get them to begin living in South America. It was a big deal and the stresses involved with organising such a move were close to overwhelming. Gillian and David walked in the lounge and sat next to me. David and I began talking immediately. He then asked if there were any newspapers and I said I would take him over to them so he could chose one. As soon as I stood up he put his arm in my arm and we walked around the lounge chatting away. We talked about all sorts of things - even Russian rivers! I talked with Gillian also and it was a great experience. The most memorable part for me, at this time of my life setting up a new life in a new country, was that he told me repeatedly "Be Bold, Be Brave Peter." These words were just what I needed to hear.

I helped carry his bags onto the plane, all the while with our arms locked together. When he went to his seat he kissed me (half on the lips!) and told me I was beautiful and "Be Bold, Be Brave Peter."

Over 3 months later and I am now living in Uruguay with my wife and 2 young girls. It is wonderful and my new work is better than I could have imagined. I think about those words every day and it strengthens me when I think things are getting tough.

If there is any way that I could get a photo of David with those words on it to have in my office here in Montevideo I would cherish it as it was a case of perfect timing and inspiration for a guy who explores for oil and gas and has never played a note.



I was at a brilliant performance by Australian pianist David Helfgott at the Cadogan Hall, London, last night. Wearing his sky blue satin tunic, he trotted on to the stage and performed piano transcriptions of Moussorgsky's Pictures at an Exhibition. His playing was phenomenal. Bobbing and bowing and doing a thumbs up to us all with a broad smile on his face, he had such a strong emotional rapport with the audience. So moving and inspirational. He took 4 separate standing ovations.


By Louise Keller

He bounds on stage like an excited child: chatting incessantly to himself. Or could it be to the higher beings above? He wears a turquoise satin shirt a Cossack dancer might wear. Its sheen reflects his enthusiasm. He cups his hands on his forehead to see his audience beyond the glare of the spotlight. Thumbs up. More thumbs up. He grins, exuding sheer joy. Then he sits at the Steinway and begins to play.

Chopin, Liszt, Mussorgsky. The magic begins as his lithe fingers traverse and caress the keyboard. We are instantly transported. But watching David Helfgott and listening to him are two different things.

Eyes open, we see a man who embraces not only the music, but the audience. He chatters nonstop, incorporates his version of singing along with the music. He is clearly having the time of his life. He sits upright. Then his back is hunched as he leans over, his face almost touching the keys. His exuberant face turns to the audience, the crinkles around his expressive eyes exaggerated as he somehow interacts with them intimately. An invisible lasso shepherds the audience into his world. His unique world. Visually, the scene is extraordinary. It almost overshadows the music. Almost.

Eyes closed, the impact of the light and shade of the music is a powerful force as, impossible cadences and finger gymnastics, a dazzling feat.

At the end of each musical piece, he jumps to his feet, grins broadly and bows hyperactively as he effusively thanks his audience. Thumbs up again. He does not speak between pieces. Not in the normal accepted sense. But there is no shortage of communication, albeit the language is somewhat different.

There is such generosity of spirit and emotion on display. Everyone in the audience senses it. You can hear a pin drop. Men wearing suits, jeans and tattoos; ladies in stilettos, boots and sneakers; wide-eyed youngsters. We are hypnotized by the Helfgott spell. It is an indescribably powerful thing. Time stops. No wonder he is beloved around the world with a sold out concert schedule throughout Europe and beyond.

Two hours later, after a standing ovation, streamers, flowers and encores, wife Gillian comes on stage. They hug unselfconsciously. She says how happy David is playing his music and thanks the audience for making him so happy on this special night: his 71st birthday. The simplicity and genuine nature of the sentiment is overtly moving. I feel the prickle of tears welling in my eyes; the natural release of emotion. I have witnessed a miracle.

To say that David Helfgott is unique is stating the obvious. Is this what a genius looks like? An extraordinarily, talented human being who makes everyone around him look and feel ordinary.

Backstage? His warmth and love fill the room. He takes my hands, holds them, admires my nails, hugs me, nuzzles my face, bestows kisses with great generosity. Yes, he is going back to Budapest for a concert. He mutters greetings in Hungarian. Vienna? He switches to German. Then the banter is English and Helfgott speaks without taking a breath. All at a million miles an hour.

And then he is gone. The room suddenly becomes dull. As though a light has been switched off. Like the night sky when the brightest star has been extinguished.

David Helfgott's recital was held on Saturday May 19, 2018 at Sydney's City Recital Hall in Angel Place.


Hi David, my name is Jade and I am a 14 year old pianist. I have been playing piano for about 7 years (this being my eighth) and I went to your show last night (on the 28th of April). You have truly inspired me. I watched the movie Shine before I went to the concert and your story is so amazing. To see how you got to where you are now and all the trouble that you went through... I was honestly crying through half of it. After that, I was even more excited to watch you play live. This was my first piano recital that I have ever been too and it was an experience I will never forget. Usually, I am used to playing in small school concerts so it was incredibly refreshing to watch someone else play. Like really play. Especially someone of your calibre. Your recital was astonishing. It blew me away and I don't t think I have any words to describe how magical it was. To be perfectly honest, I don't typically listen to a lot of classical music, though I know I should, but after watching you perform, I am determined to listen to more. Your performance transported me to another world. I was sitting on the front row in the high stands right in the centre and i got the best view in my opinion. I was bewildered by how relaxed you looked on stage and I felt the joy and happiness you gave off to the audience every time you bowed. I found it relaxing how you mumbled to yourself during the performance and how you talked about the song and the dynamics. How you sang along with the melody and counted out loud for some parts. I have always been determined to learn flight of the bumblebee at some stage in my life and when you came out for the encore and played it flawlessly? I was lost for words. It was pure and utter magic. I thought it was sweet how you shook the front rows hands and though I knew we had great seats, at that moment I was in envy of that row. I couldn't stop smiling the entire night as I relived the memories and I can't wait to tell all my friends about how I saw one of the best pianists in the world play live. You have inspired me to become a better pianist, to appreciate everything I am given and how lucky I am.
I wish you and your wife the very best in your lives and hope you have wonderful years to come!


There have been allegations in the Australian newspapers about "inappropiate behaviour" by Geoffrey Rush and below are our thoughts.

David and I are appalled at the Sydney Theatre Company's handling of an inappropriate behaviour complaint made about Geoffrey Rush. His accuser remains nameless and the STC refuses to elaborate as to what the complaint contains to him or his lawyers.

If we allow the denigration of people's characters to occur without any facts being presented, one fears for the future of our nation. Let us hold to our law of innocent until proven guilty.

David and I reaffirm our great admiration of Geoffrey's integrity and dedication to his craft, and our boundless gratitude to him for his sensitive and brilliant portrayal of David in Shine. His empathy towards David since 1990 has never wavered.